Gerard takes on JSTOR, purt'near calls them liars Options

[thekohser]

David Gerard assesses JSTOR as a "problem that needs dealing with", and he goes on to ponder ways by which the entire "proprietary journal system" could be brought to its knees.

[dtobias]

I still think of the academic publishing industry as worse than the music industry in terms of the money going to people other than those who actually create the works being consumed, and the music industry is pretty bad in this regard: only a small percentage of the cost of a record/CD/MP3 purchased legally goes to actual musicians or songwriters, with most going to management and marketing types. These industries all have in common archaic business models built up in the days when bulky physical objects had to be manufactured and distributed, necessitating all sorts of expensive infrastructure that isn't needed nowadays for electronic distribution. It's notably primarily people connected with this management/marketing/corporate end who are shouting the loudest for draconian protection of intellectual property, supposedly for the sake of the poor starving artists, though they sometimes take such positions over the objection of artists themselves.

The still-useful role of gatekeepers to filter information and distinguish a crank's blog and a garage band's noise from the "good stuff" (however this may be defined) needs to somehow be recreated in the modern world; exactly what form this will take is yet to be determined, but hopefully it won't sap up nearly as much of the resources that go into the industry compared to the writers/artists/performers/researchers themselves.

[Ottava]

I still think of the academic publishing industry as worse than the music industry in terms of the money going to people other than those who actually create the works being consumed

....

How much money do you think is left over after all the printing costs? You forgot that the market is really low. A musician sells to millions of people. An academic might have an audience of 1,000 if they are lucky.

There isn't some corporate fatcat who is running everything in these presses. Most of the editors and the ones publishing -are- the same academics who contributed before. There is very little money in academic publishing at any end. They are barely making ends meet now, and removing things like JSTOR would bankrupt them completely.


Milton: "Editorial and layup work is legitimate, but what fraction of the budget goes for that? It's very hard to find out."

Actually, it isn't. Many Academic Universities have publishing houses. Many are public universities. Their expenses are public record. You can find out just how much the people are being paid. I know that the CUA press makes very little, and every one of the staff has a secondary job at the school. You have to remember, for every Oxford University Press there are 10,000 much smaller groups that had to downsize a lot. Even Oxford has taken a big hit.

This post has been edited by Ottava:

[radek]

I still think of the academic publishing industry as worse than the music industry in terms of the money going to people other than those who actually create the works being consumed

....

How much money do you think is left over after all the printing costs? You forgot that the market is really low. A musician sells to millions of people. An academic might have an audience of 1,000 if they are lucky.

There isn't some corporate fatcat who is running everything in these presses. Most of the editors and the ones publishing -are- the same academics who contributed before. There is very little money in academic publishing at any end. They are barely making ends meet now, and removing things like JSTOR would bankrupt them completely.


Milton: "Editorial and layup work is legitimate, but what fraction of the budget goes for that? It's very hard to find out."

Actually, it isn't. Many Academic Universities have publishing houses. Many are public universities. Their expenses are public record. You can find out just how much the people are being paid. I know that the CUA press makes very little, and every one of the staff has a secondary job at the school. You have to remember, for every Oxford University Press there are 10,000 much smaller groups that had to downsize a lot. Even Oxford has taken a big hit.

He's not saying the editors make money - usually they don't make any. He's saying the publisher makes money. And it's not true that "there is very little money in academic publishing at any end" (though I guess it depends on your definition of "very little"). While there aren't millions of fans who snatch up the individual issues, institutional sales (libraries etc). can bring in some nice dough.

And there have been cases of academic organizations "rebelling" against money-grubbing publishers. Can't remember off the top of my head but IIRC Elsevier had some problems with uppity academics once or twice.

As far as JSTOR goes, I don't think they're part of the problem. If you're an academic you get access to it for free anyway - and you're the intended audience. It's really the interested amateur that gets screwed but there's honestly not that many of those, and they can always take a trip to the library.

But Milton's also right about lack of competition in the journal publishing industry - though it's more of a oligopoly than a monopoly. And dtobias is right that to some extent these companies are following an outdated business model based on shipping thick paper books. But in the end the way it shows up is just in the utterly stupefying inefficiency of the acceptance-publication process (better in some areas than others). In some disciplines it's considered "amateurish" to even inquire about what's going on with your submission before nine months - nine fucking months - have passed. This has further implications - tenure becomes a lot more uncertain; even if you've submitted quite a bit, the roulette wheel is not going to be spun until two years later or something, so who the hell knows how you'll come out when that clock gets close to midnight.

(Edit: not to mention that getting a revise/resubmit two years after you wrote something is something of a joke - who can remember what they were thinking exactly two years ago?)

This post has been edited by radek: