QUOTE(Wiki Witch of the West @ Sat 21st November 2009, 2:34pm)
So during arbitration I got to know the fellow, discovered some of our editing interests overlapped, and was truly impressed with his work. He writes featured articles about Gilbert and Sullivan; he restores eighteenth century engravings. What's not to respect about that? The arbitration case had obviously taken a lot out of him. I was angry about how his case had gone and worried about what WMF had nearly lost, especially in terms of audio restoration: due to copyright laws, public domain audio often means restoring wax cylinders. This dude restored Enrico Caruso's singing. There was no other volunteer who who had those skills until Shoemaker trained more people.
I realize this is a tangent, and maybe deserves its own thread or even a blog posting, but the whole issue of restored audio content on Wikipedia is a fairly interesting one from an outside perspective. It does take considerable skill to do it properly, but the software is getting easier and easier to use, and IMO more people have these skills (and these programs) than some might think.
These days it's very common for people to have programs with "scratch removal" filters to clean up vinyl conversions, though it's far less common for people to actually use them or even know how, of course. More serious home audio restorers can buy something like
Diamond Cut Millenium, which is only about $60. Diamond Cut also sells
CD's of restored public-domain Edison wax cylinder recordings, which were mostly done in 2005, just around the time when WP began embedding audio files. (You could always up/download them, IIRC, just not embed them.)
But audio restoration doesn't attract the sort of person Wikipedia would normally be expected to attract. Audio doesn't take up a lot of space on a page, and at the moment I don't see Featured Audio on the Main Page (though that might be an aberration - I don't look at the Main Page very often). It can be very time-consuming if you do it right, and it's not a good way to increase your edit-count (given that you're not going to upload 80 versions of the same file, each with one less pop or click in it). And whereas clicking on an image takes you to a page on which credit for the image is spelled out in excruciating detail, clicking on an audio link simply plays the audio; you have to click "About this file" to see any credits. Moreover, when you hear an old recording that's been restored, you don't think "hey, what an awesome restoration job," because you probably haven't heard the unrestored version. In fact, the cleaner it is, the less you think about how much effort it took to restore it.
So it's something of a thankless job, isn't it? I can easily see why people don't want to do it, and why they'd feel underappreciated after a while - possibly even to the point of developing a complex about it.
If WP had the manpower, I'd suggest that they try to avoid situations where people who do audio restoration work are made responsible for things like "WikiVoices." But of course, they don't have the manpower, because nobody wants to do thankless tasks for free. It may be that
Shoemaker's HolidayÂ
(T-C-L-K-R-D)
is the sort of person who likes to take on thankless tasks for the purpose of complaining about how little thanks he's getting, and if so, that might explain a few things. But I'd be completely irresponsible to draw that kind of conclusion in any sort of formal way, obviously... (IMG:
smilys0b23ax56/default/hmmm.gif)
As to whether or not someone like Durova should be involved in it, that's another issue - she might well be too ego-driven to work effectively with people who do thankless tasks. That is to say, she'll probably thank them (which is good), and maybe even be the only one thanking them (which is bad). At the same time she might be unable to avoid the appearance of taking credit in some cases, even if she isn't actually doing so, simply because of the way she interacts with people in general (i.e., she tends to "take over"). The worst thing you can do with (or to) someone like Shoemaker's Holiday, I suspect, is be perceived as taking credit for whatever specialized work he does, particularly if it's voluntary.
Ultimately I don't want to appear (myself) to be too critical of Wikipedia's efforts to provide audio content, or the people who provide it - there's a lot of material there, they're reasonably good about copyrights, and some of the restoration work is quite well-done. (Also, dissemination is a major aid to preservation, as they say.) But if they're going to really make a go of it, they should come up with a way to make it less thankless - assuming there even is a way.